
Pin-ups &
Bondage
Sites
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Alazar |
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1970s - current |
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Alazar came onto the erotic art scene over
20 years ago, producing bondage, fetish and pinup art work for the
steamiest publications. His renderings of women were distinctive and
sensual, and soon his original art work was being collected and commissioned
internationally. For the past 15 years Alazar has done monthly pin
ups for Leg Show Magazine, (& is still featured monthly in Alazar's
Panty Peeks) as well as doing illustrations for other adult publications.
He has had work collected into 12 comic books by Fantagraphics, including
the big selling Women on Top (7 times reprinted), Big Top Bondage,
and the 6 issue Alazar Bondage Series. |
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Aldo |
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1970s - current |
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Painter of transgender works about whom
little is known. He appears to have used the names "Tealdo"
and "Europa" at various times, and has had a long-time publishing
history with Centurians Magazines, setting the standard for "Forced
Womanhood" and like magazines, from back when the magazine began,
under the title "Slave Piercing." |
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(J.) Ashely |
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(b. 1945 - d. 1991) |
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An alias for Robert Bishop (below), using a different
style when doing illustrated covers and interiors for the "Fellowes"
series of Frank E. Campbell novels produced by House of Milan in the
'70s and '80s. Worked in pencil, yielding rich textures and highly
detailed historical European costumes and settings. |
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(see Bishop) |
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Robert K. Bishop |
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(b. 1945 - d. 1991) |
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Michigan-born illustrator who studied art in Detroit
(Michigan Art School), and started doing art for Centurians Publications,
and other assorted early-Scene magazines. He joined up with House
Of Milan (HOM -- he also did some side work with Harmony Publications,
but had some concerns with the cautiously consensual "Harmony
Philosophy" as it pertained to fiction), and it was with HOM
that he produced much of his best-known work, including the "Fanny
Hall" comic series, and covers for Frank Campbell and Geoffrey
Merrick novels. He was quite reclusive, and an avid gun collector.
Sadly, he took his own life, at the age of 46. Often referred to only
as "Bishop," he is best known for his black and white work,
with a heavy use of airbrush to generate texture and sheen. Considered
by many to be the Master of bondage illustration, his work commonly
features hapless women, straining against their bonds, heavily gagged,
and wearing latex. He had done some paintings (very skillfully, with
vibrant use of color), plus some FemDom works, but appears to have
had little interest in the latter. |
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Bishop art Yahoo Groups 1
and 2 |
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Vaughn Bode |
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1970s-1990s |
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Underground comix cartoonist who began with adult comics
in 1969, when "Deadbone" first appeared in Swank Magazine.
His "Purple Pictography" appeared in the early seventies
(sometimes with guest art by Berni Wrightson), and he went on to do
comics such as "Junkwaffle" and "Cheech Wizard."
His work is characterized by cute, plump figures, in all manner of
scenarios. |
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Carlo |
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1920s-1940s |
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There is virtually nothing known about this illustrator,
whose style evokes a 1920s feel to it. His comics are wonderfully
bawdy, burlesque tales of bondageand humiliation, often featuring
ponygirls and other lavish costumed damsels. Also used the name Charléno. |
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Cavelo |
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An artist with whom I am unfamiliar. |
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Demulatto |
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current |
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A pencil artist who produced work from 1966 to 1985
for Bizarre Library and Love Magazine. He still does custom works. |
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Dolcett |
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current |
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Dolcett is an Internet-based B&W snuff artist, who
features things like asphyxiation, cannibalism, impalement and such. |
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Loic Dubigeon |
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current |
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Graphic artist who works mostly in pencil. His work
is collected in "Sweet Submission" Volumes I and II. |
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Eneg (Gene Bilbrew) |
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b. 1923 - d. 1974 |
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Los Angeles-born illustrator also known as Van Rod
and Bondy. He began his fetish comic work in the late '40s and early
'50s, producing strips for Irving Klaw's Movie Star News, after working
for the Will Eisner Comic Book Studio. Eric Stanton -- who he'd met
while attending Burne Hogarth's School of Visual Arts -- may have
first introduced him to Irving Klaw. He largely set the standard that
other fetish comics illustrators followed. As with many of the Movie
Star News artists (Jim, Ruiz), the strips from the period he is best
known for are few and far between, scattered among the hidden collections
of his fans, as few of the originals have survived. He also drew for
Fantasia, Exotique and Nutrix, and did forced-feminization art for
the latter, although his bondage work is best remembered. |
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Bélier Press |
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Joseph Farrel |
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current |
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French pencil artist who often ventured into nonconsensual
fiction, with extreme torture and humiliation subjects and sometimes
featuring younger victims. His work is richly detailed with dramatic
expressions and period costumes. His pieces are often sequential,
following a story progression, but the only stories known to accompany
them have been written after the fact. In the past, Farrel has considered
his art a minor trifle, and appears surprised by the attention it
is getting. |
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Jim |
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1940s-1960s |
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Swiss comic artist who did sequential illustrated serials
for Irving Klaw starting in 1955. |
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Nero's
art, Bélier Press and
Doggers |
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Lou Kagan |
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1980s - current |
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Artist who did work in several HOM magazines and published
several comics, including the serialized "Cassandra's Web,"
"Manor De Sade," "Vanda and the Amazons," and
"Perils of Penelope." He also proved himself a great photographer
with the HOM series, "Glamour In Bondage." In recent years,
he has added shemale bondage and forced feminization to his repertoire,
with paintings in Forced Womanhood Magazine and the comic "Lady
Lovelock." |
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Esteban Maroto |
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1960s - 1980s |
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(b. 1942) Spanish Illustrator whose portfolio ranged
from DC Comics to Heavy Metal Magazine. His early work defined "Vampirella"
and other EC publications. Worked closely with Carlos Gimenez. |
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SQP &
Therion |
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Moebius |
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1960s - current |
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French cartoonist Jean Girard (a.k.a. Gir) whose work
frequently strays into the erotic, with voyeuristic and sometimes
sadomasochistic overtones. He has also designed visuals for several
movies, such as "The Fifth Element." |
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Yoji Muku |
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b. 1928 - d. 2001 |
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Japanese railroader and salesman from Osaka who was
also a self-taught artist and editor of a Japanese BDSM magazine.
He wrote and drew comics under the name Toyonaka Yumeo, and is the
illustrator who created many of the Japanese bondage drawings found
online with "Hunt" or "JBD" file names. |
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Georges Pichard |
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b. 1920 - d. 07June2003 |
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Renowned French artist whose works include "Madoline,"
"The Road to Repentence," "The Countess in Red"
"The Illustrated Kama Sutra" and "Marie-Gabrielle." |
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Prim |
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1970s - 1990s (poss. still current) |
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British transgender artist of the 1970s and 1980s,
published mostly through Swish Publications. His work has filtered
down through ground-level TG press, often uncredited, and is typified
by '40s fashion, petticoats and boyish (i.e. short-haired) teens.
Art was more of a hobby for Prim, and the level of completion of his
works vary, but he's still considered an inspiration for modern TG
artists, many of whom don't even know the artist's name. |
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Ruiz |
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1950s - 1970s |
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Serial comic artist who drew for Irving Klaw's Movie
Star News, along with Jim, Eneg, Eric Stanton and others. |
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Bélier Press |
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Serajat |
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Belgian artist of the 1950s, with mostly black-and-white
pencil work. |
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(Stanton Archives has closed) |
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Eric Stanton |
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b. 30Sept1926 - d. 17Mar1999 |
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(Ernest Stanzoni) Reclusive Brooklyn-born illustrator
and painter who began drawing while in the U.S. Navy during WWII.
Upon his return, he worked as a dancing waiter and then had a knife-throwing
act, before bragging to Irving Klaw that he could draw better than
all of Klaw's artists. Klaw liked his moxie, and hired him for the
work produced by Movie Star News, starting in 1947. He may also have
led the way for his friend Gene Bilbrew to start work at MSN shortly
after (see Eneg). Stanton produced many fighting-women and bondage
classics (both male and female submissives but usually female dominants)
plus a few transgender tales. He contributed to the infamous Kinsey
Report and began his own mail-order business, The Stanton Archives,
as well as illustrating novel covers and magazine interiors for publishers
such as Nutrix, Leg Show and Satellite -- several of these works later
appeared in Centurians publications, and he may have also done original
works for them as well. He created "Blunder Broad," a classic
Wonder Woman spoof, and she is his best-known character. Although
he hasn't had the career peaks of other artists, he has had probably
the longest career in fetish art and by far the largest body of work,
which is nearly impossible to entirely catalogue. A man with a definite
love and devotion to the genre, his work shows an incredible ability
to tell a story (something that often goes unappreciated in a genre
full of pin-ups) -- and each illustration told volumes. Often collaborated
with writer Turk Winter, and has had several collections, including
four by Italian publisher Glittering Images and two by Taschen. |
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Doggers
site and Bélier Press |
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Brian Tarsis |
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1970s - current |
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Brian Tarsis has been an artist and creator of kink
for sixteen years and counting. He started out doing freelance bondage
illustrations in 1984 for Harmony. In '87 he moved to L.A. and worked
for Harmony full time, tying up girls, editing magazines, doing photo
shoots, directing and shooting videos, and sundry other duties. In
1990 he went to work for H.O.M. and its parent company, London Video,
shooting, directing and editing B&D videos. Six years and 150 videos
later, he left H.O.M. to work for B&D Pleasures, making magazines
and comics. Throughout his career, he has never stopped drawing, and
his illustrations range from bondage to spanking to SM, and have been
published all over the world. He has also published two graphic novels,
City of Dreams (from Eros Comics) and Daphne (from B&D Pleasures),
and has two more on the way (watch for Opal and Valeria!). Brian currently
lives in the lush forests of the northwest with his wife/slavegirl
Devon. He and Devon aren't as active in the SM scene as they were
in L.A., but they get out once in a while, and have a well-appointed
dungeon of their own for those rainy nights at home. |
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Tom |
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b. 02March1927 - d. Fall98 |
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German black and white rubber crafter, photographer
and illustrator in the tradition of Jim and Eneg (in fact, he first
started doing fetish cartoons for Irving Klaw's Nutrix fetish series),
noted for shiny, polished latex, insidiously dominant women and hapless,
stringently-bound heroines. His work (often assisted by wife and model
Uschi) has appeared in his own Club Caprice, several catalogues, Skin
Two, Marquis and innumerable other various latex and bondage publications.
Too often though, his work has also been exploited, without his credit
or any sort of royalties. |
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Tom of Finland |
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b. 8May20 - d. 7Nov91 |
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Finnish illustrator Touko Laaksonen (his real name)
was a champion of gay (primarily male) art, with a fascination for
uniforms that helped define the gay leather culture of the '80s. He
was a freelance artist in advertising, and published his first erotic
work in 1957, with the cover of Physique Pictorial magazine. His popularity
grew and by the mid-70s, he was able to earn a living with his erotic
work alone, but several personal setbacks befell him, until his death
from an emphysema-induced stroke. His foundation still supports gay
art worldwide. |
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EroticArts |
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Bill Ward |
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b. 06March 1919 - d. 17Nov98 |
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Comic artist who started as a background artist for
Fawcett Publications, then Quality, moving on to titles like "Captain
Marvel" and "Blackhawk" during comics' Golden Age.
His most popular character, Torchy, was developed while at war, in
the U.S. Navy, and proved to be a major source of inspiration to troops
during WW II -- until the post-war crusade of Frederic Wertham brought
the character to an end. A major contributor to venues like "Cracked"
Magazine, his work never really achieved recognition as a watershed
of fetish art until much later. |
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John Willie |
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b. 09Dec1902 - d. 05Aug1962 |
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(John Alexander Scott Coutts) Publisher of Bizarre
magazine (beginning in 1946), the first fetish magazine. New York-based
photographer, writer, artist and editor, also known as the cartoonist
who gave us Sweet Gwendoline. He printed 26 issues, developed
a brain tumor, and ceased to publish. |
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Bélier Press |
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